Partitions Numériques de Instrument en Do pour Trompette, Piano

Tout le site ▾

Mon compte
(connectez-vous)

EUR €USD $GBP £CAD $CNY ¥

English

Partitions Gratuites ▾
Partitions Numériques
Librairie Musicale ▾

Matériel de Musique ▾

STUDIO | SONO |

ACCESSOIRES |

Instrument en Do
Non classifié 209

Piano & claviers
Instruments en Do 2 383
Piano seul 87
Orgue 12
Piano, Voix 4
Accompagnement Piano 3

Piano, Voix et Guitare 3
Piano Facile 2
Piano Trio: piano, violon, violoncelle 2
Piano Quatuor: piano, violon, alto, violoncelle 1
Orgue, Piano (duo) 1
1 Piano, 4 mains 1

+ 6 instrumentations

Retracter

Guitares
Mandoline, Piano (duo) 10
Guitare 8
Ligne De Mélodie, (Paroles) et Accords 6
Basse electrique 5
Guitare notes et tablatures 2

Ukulele 2
Piano, Guitare (duo) 2
Dulcimer 1
4 Guitares (Quatuor) 1
2 Guitares (duo) 1

+ 5 instrumentations

Retracter

Voix
Chorale SATB 21
Chorale 3 parties 9
Voix duo, Piano 6
Chorale TTBB 3
Voix duo 3

Chorale SSAA 3
Chorale 2 parties 3
Chorale Unison 2
Voix seule 1
Voix moyenne, Piano 1

+ 5 instrumentations

Retracter

Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 17
Flûte, Hautbois, Clarinette, Basson 13
Flûte et Guitare 13
Saxophone (partie séparée) 8
Quatuor de Saxophones: 4 saxophones 7

2 Saxophones (duo) 7
Quintette de Clarinettes: 5 clarinettes 6
Clarinette 6
Clarinette, Guitare (duo) 6
2 Flûtes traversières (duo) 5
Quintette de Saxophone: 5 saxophones 5
Flûte traversière et Piano 5
Clarinette et Piano 5
Flûte traversière 4
Clarinette (partie séparée) 3
Ensemble de Clarinettes 3
Flûte, Violon 3
Saxophone Alto et Piano 3
Hautbois, Piano (duo) 3
Quintette de Flûte : 5 flûtes 3
Flûte, Clarinette (duo) 3
Saxophone Tenor et Piano 3
Cor anglais, Guitare (duo) 3
Hautbois (partie séparée) 3
2 Clarinettes (duo) 3
Hautbois, Basson (duo) 2
Clarinette, Violon (duo) 2
Quatuor de Flûtes : 4 flûtes 2
Quatuor de Clarinettes: 4 clarinettes 2
Saxophone Baryton, Piano 2
Saxophone Alto 2
Saxophone et Harpe 2
2 Flûte à bec (duo) 2
Ensemble de Flûtes 2
Clarinette, Harpe (duo) 1
Flûte, Violoncelle, Piano (trio) 1
Saxophone Soprano et Piano 1
Flûte, Violoncelle 1
Flûte, Saxophone (duo) 1
Flûte, Hautbois (duo) 1
Flûte à bec Soprano 1
Clarinette Basse, Piano 1
Flûte irlandaise 1
3 Saxophones (trio) 1
2 Flûtes traversières, Piano 1
Hautbois, Guitare (duo) 1
Flûte, Hautbois, Basson 1
Cor Anglais 1
3 Clarinettes (trio) 1
Hautbois, Harpe 1
Cor anglais, Piano 1

+ 46 instrumentations

Retracter

Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba 5
Trompette 5
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 5
Trompette (partie séparée) 4
Trompette, Piano 3

Cor anglais, Guitare (duo) 3
Trombone et Piano 2
Trombone (partie séparée) 2
Cor 2
Cor (partie séparée) 2
2 Trombones (duo) 2
Euphonium, Piano (duo) 2
Trombone 1
Euphonium 1
2 Tubas (duo) 1
Quatuor de Cuivres 1
Trombone, Tuba (duo) 1
Quatuor de Cuivres: 2 trompettes, Cor, trombone 1
Ensemble de Trombones 1
Ensemble de Trompettes 1
Trompette, Euphonium (duo) 1
Trompette, Tuba (duo) 1
Tuba 1
Trompette, Trombone (duo) 1
2 Cors (duo) 1
Trompette, Harpe 1
Cor Anglais 1
Cor et Harpe 1
Trio de Cuivres 1
Cor, Tuba (duo) 1
Cor anglais, Piano 1

+ 26 instrumentations

Retracter

Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 22
Violon, Violoncelle (duo) 17
Harpe et mandoline 9
Violon et Piano 8
Violoncelle (partie séparée) 7

Harpe 6
Violon 6
Quintette à cordes: 2 violons, alto, violoncelle, basse 6
Violoncelle, Piano 5
Alto, Piano 5
Violoncelle , Guitare (duo) 4
Violon, Alto (duo) 3
2 Harpes (duo) 3
Violon, Guitare (duo) 3
Harpe, Flûte (duo) 2
Alto, Violoncelle (duo) 2
Harpe, Violon (duo) 2
Trio à Cordes: 2 violons, violoncelle 2
Violoncelle 2
Alto (partie séparée) 2
2 Violons (duo) 2
Alto seul 1
Harpe, Violoncelle (duo) 1
Ensemble de Violons 1
Harpe, Trombone (duo) 1
Contre Basse 1
Alto, Guitare (duo) 1
Trio à Cordes: 3 violoncelles 1
Alto et Harpe 1
Harpe et Piano 1
Violon, Basson (duo) 1
Ensemble d'Altos 1

+ 27 instrumentations

Retracter

Percussions & orchestre
Orchestre d'harmonie 34
Jazz combo 9
Orchestre de chambre 9
Ensemble Jazz 7
Ensemble de cuivres 7

Ensemble de Percussions 6
Orchestre 6
Orchestre à Cordes 3
Percussion (partie séparée) 2
Cloches 2
Fanfare 1

+ 6 instrumentations

Retracter

Autres

Imprimer aprés achat

Accueil

Européens

Américains

Chez Virtualsheetmusic

Artistes Internationaux

Artistes Francophones

Top artistes

POP
Adele
Billie Eilish
Ed Sheeran
BTS
Coldplay
Pharrel Williams
Daft Punk
Avicii
Bruno Mars
Lily Allen
Birdy
John Legend
Passenger
Beatles
NEW AGE / CONTEMPORAINS :
Ludovico Einaudi
Yiruma
John Williams
Piazzolla
John Rutter
Dmitri Shostakovich
Benjamin Britten
FILMS
Lin-Manuel Miranda
Joe Hisaishi
Ennio Morricone
Yann Tiersen
John Williams
Howard Shore
Hans Zimmer
FRANÇAIS :
Slimane
Calogero
Clara Luciani
Vianney
Kendji Girac
Stromae
William Sheller
Georges Brassens
Claude Nougaro
Serge Gainsbourg
Jean Jacques Goldman

PARTITIONS GRATUITES
185 000+ partitions

BOUTIQUE PARTITIONS
1 500 000+ acheter et livraison

PARTITIONS NUMÉRIQUES
2 000 000+ acheter et imprimer

MATERIEL DE MUSIQUE
Accessoires & Instruments

Partitions Numériques, Accès après l'Achat

Expédition postale Téléchargement

Tri et filtres :

avec audio

avec vidéo

avec play-along

Vous avez sélectionné:

Instrument en Do

intermédiaire

Trompette, Piano

Partitions à imprimer

3 partitions trouvées

Guthrie: 18 Descants for Trumpet & Organ

Guthrie: 18 Descants for Trumpet & Organ #Trompette, Piano #INTERMÉDIAIRE #Traditional #James M #Guthrie: 18 Descants for Trump #jmsgu3 #SheetMusicPlus

B-Flat Trumpet,Piano - Level 3 - SKU: A0.1317913 Composed by Traditional. Arranged by James M. Guthrie. Christian,Historic,Religious,Sacred,Traditional....(+)

B-Flat Trumpet,Piano - Level 3 - SKU: A0.1317913 Composed by Traditional. Arranged by James M. Guthrie. Christian,Historic,Religious,Sacred,Traditional. Score and part. 12 pages. Jmsgu3 #906595. Published by jmsgu3 (A0.1317913). Instrumental descants are useful in hymn playing as they add variety and interest to the music, and they can be used to enhance any piece of music if done correctly. An instrumental descant is a counter melody usually pitched higher than the hymn's. It is played by an instrument, usually a trumpet or a flute, with organ accompaniment. The usual form for these instrumental postludes is to play the hymn melody once through and then to play the descant. An instrumental descant always enlivens the singing of hymns, and this volume promises practicality, variety, and well-crafted countermelodies to do just that. The term descant is used to describe a countermelody, generally at a higher pitch than the main melody, and it is typically sung in the final or penultimate verse of a hymn. Although the English Hymnal of 1906 omitted descants, this influential hymnal served as a source of tunes for which the earliest known hymn tune descants were published. Among composers of descants from 1915 to 1934 were Alan Gray, Geoffrey Shaw, and Ralph Vaughan Williams.

$32.95 ≈ $44.88

Scriabin: Prelude Op. 11 No. 2 for Trumpet & Piano

Scriabin: Prelude Op. 11 No. 2 for Trumpet & Piano #Trompette, Piano #INTERMÉDIAIRE #Alexander Scriabin #James M #Scriabin: Prelude Op. 11 No. 2 #jmsgu3 #SheetMusicPlus

B-Flat Trumpet,Piano - Level 3 - SKU: A0.549478 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Peri...(+)

B-Flat Trumpet,Piano - Level 3 - SKU: A0.549478 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499993. Published by jmsgu3 (A0.549478). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the Ã©tude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabinâ€™s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier Ã lumiÃ©res. It was a keyboard instrument that projected colored light onto a screen.

$19.95 ≈ $27.17

A Breeze from Alabama

A Breeze from Alabama #Trompette, Piano #INTERMÉDIAIRE #Ragtime #Scott Joplin #James Siddons #dedication on the cover to P #A Breeze from Alabama #James Siddons Music and Writings #SheetMusicPlus

Trumpet, piano - Level 3 - SKU: A0.972642 Composed by Scott Joplin. Arranged by James Siddons. Folk,Holiday,Patriotic,Ragtime. Score and parts. 24 pages...(+)

Trumpet, piano - Level 3 - SKU: A0.972642 Composed by Scott Joplin. Arranged by James Siddons. Folk,Holiday,Patriotic,Ragtime. Score and parts. 24 pages. James Siddons Music and Writings #3124007. Published by James Siddons Music and Writings (A0.972642). Although published as a piano solo (1902), A Breeze from Alabama is subtitled March and Two Step and has a dedication on the cover to P. G. Lowery (Perry George Lowery, 1871-1942), World's Challenging Colored Cornetist and Band Master. Thus, A Breeze from Alabama may well have been conceived as a march for military band but published only as a piano solo. No band arrangement by Joplin is known to exist, but Joplin could have done this, as he himself was a cornetist as well as pianist, and had played cornet in bands like Lowery's many times. Drawing on this information, the present arrangement by James Siddons (2017) is based on the following assumptions: 1. A Breeze from Alabama originated as a march (in march-trio form) for military band. 2. The 1902 publication is a piano reduction of that band work. The melodic lines intended for cornet solo are generally discernible in the piano reduction. 3. A setting for piano duet (or ensemble) keeps this work in the tradition of ragtime piano while also emulating the fulsome tone colors of brass instruments to a degree that a solo piano cannot do. Thus this arrangement is not a solo-and-accompaniment setting, but a setting for large ensemble with soloist. It is collaborative music, akin to a concerto. This piano duet part may be performed by two pianists at one piano, or two pianists at two pianos, or four pianists at two pianos, or even six pianists at three pianos, with or without a conductor. The cornet part may be played on trumpet. There are three score or part versions for sale:1. The full score is for use by a conductor or instructor. An audio track (mp3, virtual sounds) is posted here.2. The piano duet (or ensemble) score has the Primo and Secondo parts shown on facing left and right pages as is standard for piano duet music. (No audio recording.)3. The cornet (or trumpet) part is sold separately and has a rehearsal recording posted, in which only the piano duet music is heard. This arrangement features a cadenza for cornet composed by James Siddons. The cadenza is found in measures 115-119 in the score and cornet part. In the rehearsal recording, there is five seconds of silence beginning 2 mins, 44 secs into the audio track. The music resumes at measure 120. To practice with the cadenza, press pause on your media player; to practice without the cadenza, simply wait the silence out.

$5.00 ≈ $6.81

Acheter des Partitions Numériques à Imprimer

Accueil
A propos
Contact, mentions légales
Espace membre
Service de license
Faire un don

PARTITIONS GRATUITES
LIBRAIRIE MUSICALE
PARTITIONS NUMÉRIQUES
MATERIEL DE MUSIQUE
CONCOURS DE COMPOSITION
ANNUAIRE WEB

Suivre free-scores.com